Early on in the episode we are told it will take less than an hour to cross the anomaly at warp 4. Warp 4 is 64 times lightspeed, so the anomaly is about 64 light hours across. We are then told that at impulse, it will take four days - 96 hours - to cross the distance. So that means full impulse speed is 64/96 = 0.666 xc, exactly two thirds of light speed. So far so good.
However, when they find that they are still inside the anomaly T'Pol says they are nearly a quarter of a lightyear from the edge. She then says it will take ten weeks to get clear. At 0.666 xc, it should actually take 19.5 weeks. In fact to get out of the anomaly in ten weeks the ship would have to be travelling faster than the speed of light on impulse drive, which is both a mismatch with what was said earlier and is supposed to be impossible.
On another front, when Phlox talks about waking everybody up he says he is going to wake his medical staff before most of the crew. Does Phlox have a medical staff? I don't think I've ever seen or heard of another doctor, nurse or even orderly anywhere near sickbay!
When the crew first approach the anomaly, they specifically state that it is Humans whose brain will be affected by the thing. There is no ambiguity in the wording at all, the writers are obviously setting us up to believe that T'Pol was indeed awake. I began thinking she might be imaginary soon after she first appeared, since it was the most obvious twist I could think of for the ending, but dismissed this because they had told us that only Humans were affected. As the episode progressed I became more and more convinced that T'Pol wasn't real - I was finally certain around the time that she told Phlox to use the sensors instead of trying it herself.
If they had left left it ambiguous, if they had said "the crew" would have to be put into comas or something, that would be one thing. But to try and stop the audience from seeing the twist in the ending by telling the audience one thing and then doing something else... well that's just plain bad writing. The whole point of an episode like this is for the writer to try and outsmart the audience, not to lie to them and then expect them to think you have been clever about it.
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